How to Buy Art, Tips and Tricks

– Find an artist who makes what appeals to you. Look on the internet, there are various online platforms. Visit galleries or art markets. Ask around. Looking at art repeatedly will help you to determine what you really like.

– Do you have financial space to spend money on art? Just how much are you able and willing to pay?

– If you do not have the financial resources, is there something else you can trade with the artist of your choice? Perhaps you can repair her car or help him with some book-keeping, help install an exhibition, take professional pictures of the works or swap goods you make.

– Buying directly from the artist really gives you your money’s worth. You avoid having to pay a broker.

– Ask the artist to show you some of his older pieces that might be in his way. Should you find something of your liking the benefit is mutual: the artist gains space in his studio with the knowledge that his work is appreciated by someone and you will have it at a very competitive price.

– Inform if the artist accepts payment by installments. Most artists will embrace this. Their work is sold, somebody likes it enough to buy it and they receive money.

– Check out second-hand shops in order to stumble across a work you like and when you find something, buy it immediately.

– Search for a place where you can borrow fine art. Having something particular in your house for a while enables you to discover what you like.

– Ask a familiar artist if you can lease a piece of art temporarily and arrange a discount price in case you like to keep it.

– Ask an artist to make something on assignment to your own design or for a special place.

– Ask money for your birthday, wedding or anniversary to enable you to buy art. If you tell people about your plan they will be reassured you will turn their money into a lasting memory.

– Befriend an artist. You might be the first to see his/her new work, you could get a discount and perhaps he/she will present you with something on a special occasion.

– Buy from a female artist. That is (regrettably for me) cheaper than buying from a man. This does mean you will get better value for the same price.

– Last but not least, just buy something that really touches you. This might not be the most accessible work, but it will stand the test of time brilliantly.

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Influence of Industrialism on Arts

Engineering, technology, and industrialization have made our lives much better. There is no doubt about that. They have transformed our society and for better or worse, they have also changed the way we perceive and admire Arts and Artisan’s efforts around us. But, to what extent?

Everything that modern man uses has been manufactured en masse and Information technology have made Earth a global village. People can interact with each other thousands of miles away in sub-seconds and travel around the world in a matter of hours. So, they have a faster and direct access to what is being expressed in the form of art and literature. That has changed things a lot too.

There were some art forms that were transformed with the advent of modern machines. Camera photography gave people the unprecedented ability to capture any moment instantaneously. When photography was invented in 1830, painters felt threatened by the new invention. They eventually distinguished Arts form from Photography and began to experiment with impressionism, abstract arts, surrealism and other forms of modern painting concepts that were partly fueled by industrialism and the new social settings in an industrial world. Another significant impact of the Industrial and Information Revolutions was the invention of products like the tube paint. As tube paints are collapsible, their invention made artists more mobile. It resulted in a better outreach of art.

With the advent of photographs and movie reels, a different art category emerged that has since overshadowed the rest in terms of popularity and mass appeal. It is the art of motion pictures and animation. It is the simplicity and mass appeal of this relatively new sensation that transcended all boundaries and made us fall in love with it. Now you didn’t need to understand a particular art form to be able to admire it. It also resulted in a decreased interest in other forms of expressive art.

The internet and communication revolution also brought a lot of changes into our lives and eliminated many boundaries. Recently, various art forms have thrived due to this increased connectivity and brought fame to artists from around the world. They have become richer and more recognized in public while inspiring new talents to come through.

On the downside, industrialism and connectivity has fueled our materialistic nature and decreased appreciation for harder-to-understand topics. But, despite all that, it has made artists and art better recognized around the world. The future is bright if we see it in the right light!

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Each Material Has Its Own Character

Sculpting is possible with all materials available. You can fold paper, carve, saw or assemble wood, compile different materials into one piece, weld, forge, emboss iron, mould clay, cast bronze or synthetic material, glue various things together, work with glass, whatever you want.

But only practice makes perfect. So when you happen to be inexperienced with a certain material, your sculpture will need to gain from other things that you do really well. When carving wood, for example, you have to consider the angle of the grain. You use your chisel at a certain tilt, the grain directing how much wood you can cut away. When studying ancient woodwork you will learn and understand why certain shapes were chosen. When you work with clay it may take a while before you are able to make skin look as smooth as you want to or leave it as coarse as needed. Working with bronze requires a separate technique. First making a wax model, creating a mould for casting, it is completely different from ceramics.

It might turn out to be frustrating when you want to try working with material previously unknown to you. But you can also turn that limitation to your favour. The advantage of using different materials is that they all create their own purview. The concept of wood is different from concrete, bricks are not like plastics, bronze is contrasting to clay. Employ that in your sculpture.

If you work with found materials your marvel about these treasures you found will play a big part in the work you make with them.

Most important when sculpting is to feel free, also with the material of your choice. You can try to explore your technical restrictions, but you could also call the help of an expert with the right knowledge of the material you wish to work with. Be sure to pick someone really skilled, creative and with lots of imagination.

It is also possible to choose one particular type of material and get to master that in such a way you are able to express yourself in every possible way with it.

But the base of sculpting remains the same. It is all about form, skin composition, concept. Your personal creation and its comment on humanity this day and age, thus expressing a universal feeling or your own universal truth.

You can make your own statue any which way you want. Isn’t that great?

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Shading Techniques in Art

Shading is the technique of showing tones or values on an object through gradual gradations for it to look ‘solid’ and have a three dimensional effect. Shading techniques allow you to weave layer upon layer of pencil marks to add a convincing form to your line drawing. Shading adds a sense of substance to your subject and produces a convincing tonal relationship. Drawings take on a three dimensional form when shaded properly.

To render shades correctly on drawn objects, the artist must carefully observe the source of light that is striking various values of tones or shades on the drawn objects. After realizing the source of light, the artist must study closely the reflections of the light on areas of the objects to know the lightest and darkest sections. After establishing the endpoints or extremes thus the lightest valued areas as well as the darkest valued areas, the remaining area with a mid-half tone between the two extremes is the middle value.

The tones are adjusted as many times to make it look realistic. It is advised that artists step back periodically to look at the drawing and the subject in a distance to view and adjust the tones accordingly. This would make the values depicted on the drawn objects more realistic. In the rendition of cast shadow, the artist must take note of the light source and the striking or reflection of the light on the objects. If the light is far above, the shorter the shadow is (try checking out your shadow at noon – 12:00PM) whereas the lower the light, the longer the cast shadow will become. The rule is that the darker the shadow, the brighter the light source. As the shadow is drawn further from the object, the lighter it becomes. The shadow takes on the shape of the item it comes from. Notice that to make the shadow, all you have to do is create a triangular shape from the top of the object to the ground and back to the base of the object. According to the light source, make your shadow fit accordingly.

There are various ways of rendering shades on a drawn object. Some of these are:

1. Hatching: This is a shading technique that employs one set of line either vertical, curved or horizontal lines in rendering shades on a drawn object. These lines are drawn beside one another to give the illusion of a value. Depending on the hatching shading effect one want to achieve, the artist may decide to make the individual lines in hatching sets far apart or close together.

2. Cross-hatching: This is a shading technique made by the use of lines that crosses each other at an angle in rendering shades on an object. In cross-hatching, one set of line crosses over (overlaps) another set of line to create a shade on a drawn object.

3. Stippling/Dottilism/Pointillism: This is a shading technique that employs dots or series of points in rendering the shades on an object.

4. Circularism/Squirkling/Scribbling: This is the use of circles, squirkles and scribbles in rendering a shade on an object. When squirkle sets have noticeable spaces between the lines, they work beautifully for shading various textures, such as fuzzy fabrics and curly hair. Squirkles can look like a solid tone when the lines are drawn closely together, and are great for shading lots of different aspects of people, including skin tones.

5. Tonal gradation/smudging: This is the rendering of soft tones on a drawn object and blending the tones together with the thumb, a piece of paper or a soft cloth.

Rendering shades on objects using any marking or drawing tool is an interesting practical exercise in art. However, to achieve successes, artists must learn the rudiments in shading so as to render shade on drawn objects based on the accepted rubrics of art.

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