The intensity of emotion is best expressed by using the dynamic methods of an art form. Every creative subject has its own formalized approaches for dynamic usage, but in general dynamics are tools we can use as options for increasing or decreasing the amount of emotion flowing between artist and audience.
The flow of emotion through art is a two-way flow occurring between two terminals – the artist’s mind and the audience’s mind. The flow is smooth when the emotional impact sends a feedback signal that is regular and consistent, but rough and jagged when inconsistencies cause disturbances to the balance of smoothness. Both of these effects change by manipulating the types of emotions in question with their artistic dynamic equivalents.
The emotional impact of a dynamic component can be altered in one of two basic categories: suddenly and gradually.
A sudden impact will manifest as a punch or direct influence with no subtlety about it, but sometimes it will occur as a harmonious and seamless emergence within a work of art. In contrast, a gradual emotional impact will usually seem to come from a far distance or an unexpected angle by slowly drawing an increasing amount of the audience’s attention to it for a pleasing surprise.
Using dynamics as a diagnostic tool is a way of testing, measuring, and adjusting the intensity of emotion in an art form.
Gradual change or a sudden impact basically comprise all types of dynamic categories, but it’s the combination, structure and timing of each of these elements that alter the distribution of emotional intensity in creative work.
By pushing some dynamic factors to extremes and reducing others to levels where you’d hardly notice their presence, you begin to get a feel for how each factor will interact with every other factor you’re using.
Here are a few dynamic components that an artist must control in any of their creative works that give them the power to alter the intensity of emotion as well as the emotional impact that is in their product.
In whatever manner an artist uses dynamic components to generate new and unique artistic experiences, it is very important that the work expresses a clear statement and definite idea that is truly the artist’s creative vision. A simple concept, short phrase, ingredient list, color scheme, or dramatic theme are all great places to start.
Once you’ve got a basis or foundation from which to grow and build a composition, it’s easy to begin testing different dynamic components to determine the results of each experiment. Note taking can be extremely helpful and invaluable during this part of the process so as to trace your line of progress.
The process will soon accelerate and bring you even closer to the end product. Each line of progress will reveal some new element, an interesting combination of factors, or an unusual result that can be re-created and explored at a later time.
One of the most important keys to forming successful pieces of art is by illustrating in its structure how the result developed or grew. The combination of elements should form a harmony or balance of factors that seem like they couldn’t have existed apart from each other or that they somehow always belonged together.
Ultimately, the goal of experimenting with various dynamic elements is to make discoveries through unexpected surprises, marvelous accidents, or clever feats of chance that couldn’t have been planned in advance. This is the realm of game-changing artistic products, which are truly ground-breaking, and that usher in “the new” and set trends.
Every artistic idea possesses a little piece of the artist himself and becomes imbued with part of their life energy. This is part of the alchemy of creative work, where the artist extends himself into the work of art and the piece begins to take on a life of its own.
Marc Avante is a musician, sound designer, and blogger. He is also the founder of the music project called Stereo Thesis. Stereo Thesis is a prototype sound design and music studio.
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